Future Publishing Limited Quay House, The Ambury, Certain analog synths take a little time to warm up … To give you an idea of the finger gymnastics that are needed to move between these options, we'll take a look at something useful: switching the Sub Phatty's filter rolloff between the standard 4-pole/24dB-per-octave, and the 1-pole/6dB-per-octave, 2-pole/12dB-per-octave, and 3-pole/18dB-per-octave options. Moog refers to this classic analogue vibe as Beat Frequency, and it's a treat to now be able to maintain this offset no matter where you are on the keyboard - a feat older analogue synthesizers couldn't really manage. The Sub Phatty is the first analog synth to feature Moog’s transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. The Sub Phatty is also the first analog synthesizer to feature Moog’s transformative Multidrive circuit. While the Sub Phatty may not be in a position to do the same, it has an organic and patently clear connection to those halcyon days of innovation. The Moog Sub Phatty Analog synth is not as versatile as say a Yamaha Montage 8 when it comes to features unfortunately. If only I had the Sub Phatty at the time. "The Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate" Apart from the undeniably attractive price, the Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate. Moog describes it as an effect similar to the non-linear overdrive heard in some guitar pedals, combined with the warmth of a saturated VCA circuit. It's all about hands-on discovery, The patch points, including power, audio in/out, CV inputs, MIDI, and USB, are located on the left panel towards the rear of the instrument, Buyers' guides to all the best music gear, The 16 best software samplers in the world today, 15 easy blues guitar chords every guitarist needs to know, The 25 best VST/AU plugin synths in the world right now: all the best soft synths you need in your DAW, In pictures: 68 pro guitarists' pedalboards, NAMM 2019: Ibanez debuts 19 new bass guitars. Incredibly pleasing action and ergonomics. great sounds and can be very Minimoog on a lot of settings. All rights reserved. In some ways, it is similar to the Minimoog, but with many new additions, and it has an edgier kind of sound. Moog Sub Phatty. Though it is a very small instrument, it is very easy and simple to play. To do this, you first press the Bank 4 and Activate Panel buttons simultaneously to enter Shift mode. Moog has always been known to pay attention to detail on the little things that matter, but especially the sound quality which in fact is no “little thing” at all. Don't miss the latest deals, news, reviews, features and tutorials. How’s that? Well, to be blunt, we think the Moog Sub Phatty is the best damn synth you can buy for under a thousand bucks. It’s a subtractive synth with a familiar layout but there are several tweaks that Moog’s designers have added to give the synth more interest. The Sub Phatty combines an old-school aesthetic and sound with modern design. The Sub Phatty® is a highly aggressive sound design and performance analog synthesizer. Apart from the undeniably attractive price, the Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate. Moog's offering, a monophonic 25-key unit featuring two variable waveshape oscillators that is littered with plenty of knobs, generated the expected amount of enthusiasm - and then some. The Moog Sub Phatty was launched at NAMM 2013 and drew a lot of interest as any new Moog synth is likely to. Moog’s Sub Phatty was certainly a hit with MusicTech’s editor Andy Jones when he reviewed it 18 months ago. That way, anyone looking to get up-to-speed quickly with the unseen aspects of the instrument could paste it up on the wall for a while as a handy visual reference point. You certainly can’t go wrong if you choose this board. Moog Sub Phatty 25-Key Analog Synthesizer. Flexible sound shaping, playability, with an everyman price bolted on for good measure, might make the Sub Phatty a real goer for Moog in the near term. With its flagship Minimoog Voyagers still doing the business and two other Phattys in the series still available, you might not have expected another monophonic performance synth to be added to the line (a polyphonic keyboard is nowhere in sight). The style of the keyboard is quite beautiful in its own respect, and while it may not initially look like it, the board is actually quite small. The latest of the Moog synthesisers, the gritty Sub Phatty has caused quite a stir since its release. The device is lightweight and portable, and is a mono synthesizer at an affordable price with the quality associated with all the Moog range. What the device is good at is sound quality and not much else, so if you’re big into features then this might not be the product for you. And while there may be cheaper alternatives out there from competitors, this is a fair amount of quality analogue firepower for the money. "The Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate". Where to buy it? By now there's little chance you've not heard about the Sub Phatty, Moog's latest addition to its steadily growing family of instruments. The Sub Phatty emerges from its packaging as a 7.2kg piece of analogue ordnance that screams 'tweak me' thanks to all the knobs you'll find waiting for you. Review Synthesizers Moog Sub Phatty. As it was birthed without a digital screen to help you navigate its innards, the Sub Phatty uses something called Shift mode to access the functions you can't get to via the front panel. It’s small in size, but does it ever pack a punch! Again, features and extra sounds are not what the Sub Phatty is about, but if you want deep, powerful, and room-shattering bass and sounds, then this is an instrument you need to consider. In this in depth review, Sara Simms finds it great for both classic/retro and futuristic sounds. It would have been nice, however, if Moog had used the flipside of the large annotated cardboard diagram of the Sub Phatty's front panel to replicate the Shift mode illustrations found in the Sub Phatty's manual. Unfortunately, when we had a look at the Sub Phatty, the editor was still in development. You will receive a verification email shortly. "Fat bottomed basses, quavering Geddy Lee-ish lead lines or Moogy flutes are all there for the twiddling". Therefore there should be no worry about bringing this analogue accomplice seamlessly into the world of your 21st century productions. The original Minimoog Model D was a revolutionary instrument that put synthesis into the hands of generations of keyboard players. This synth is clearly about hands-on discovery, and the incomparable joy of building up your own patch from scratch. It also tidies up a few of its rough edges, so can there be anything not to like about the 37? Moog Sub Phatty Test - For whom the Moog tolls. Review: Moog Little Phatty Stage II. Moog left off the Little Phatty's rather heavy case, the 37-key keyboard, and the mod and pitch wheels, so what remains is a lightweight and even portable version of the Little Phatty's main engine, fully compatible with MIDI, DAW, or CV-based studios. BA1 1UA. We'd be remiss here not to mention how quickly and accurately the VCOs come up to playing temperature. The Moog Sub Phatty Analog Synthesizer is quite the unique instrument. Another not-to-be-missed technique is the ability to use either the Filter or Amplifier envelope to loop, creating the effect of an added multi-stage LFO for controlling the individual elements of those filters. This synth delivers users a modern feeling device with all the original features you would expect for an analog synth. 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